Multiple
Choice
Identify the letter of the choice that best completes the statement or answers the
question.
|
|
|
1. |
The intervals of 1, 4, 5,
and 8 are known as:
a. | Major
intervals | c. | non intervals | b. | minor
intervals | d. | Perfect intervals | |
|
|
|
|
|
|
2. |
The intervals of 2,3,6,7 are
known as:
a. | Major intervals | c. | non intervals | b. | minor intervals | d. | Perfect intervals | |
|
|
|
|
|
|
3. |
When a Major interval is
lowered by 1/2 step it becomes:
a. | an augmented
interval | c. | a diminished interval | b. | a minor
interval | d. | a Perfect interval | |
|
|
|
|
|
|
4. |
When the top and bottom note of
an interval are in the same major scale, it is called:
a. | chromatic | c. | Major | b. | diatonic | d. | Perfect | |
|
|
|
|
|
|
5. |
When a minor interval is
lowered it becomes
a. | Major | c. | diminished | b. | Augmented | d. | double minored | |
|
|
|
|
|
|
6. |
When you augment an interval,
you
a. | lower it | c. | play it softer | b. | leave it the
same | d. | raise it | |
|
|
|
|
|
|
7. |
When you rewrite a melody
with the exact same sequence of notes in nother key it i called:
a. | augmentation | c. | diminution | b. | transposition | d. | simile | |
|
|
|
|
|
|
8. |
When the top and bottom note of
an interval are not in the same major scale, it is called:
a. | chromatic | c. | Major | b. | diatonic | d. | Perfect | |
|
|
|
|
|
|
9. |
To transpose a piece a music
from the key of C Major to the key of D Major, all of the notes would need to be
raised
a. | a Major 2nd | c. | a Perfect Unison | b. | a Major 3rd | d. | a minor 2nd | |
|
|
|
|
|
|
10. |
When a Perfect interval is
lowered it becomes
a. | Major | c. | minor | b. | Perfect | d. | diminished | |
|
|
|
|
|
|
11. |
The time signature 4/4 is also
known as:
a. | C common time | c. | Q quick time | b. | C circle time | d. | C crazy time | |
|
|
|
|
|
|
12. |
Cut time is also known
as:
a. | 4 minus 2 time | c. | alla dos | b. | alla breve | d. | alla alla | |
|
|
|
|
|
|
13. |
In cut time each measure
receives:
a. | 4 counts | c. | 2 counts | b. | 3 counts | d. | 1 count | |
|
|
|
|
|
|
14. |
In cut time a quarter note
receives:
a. | 1/2 count | c. | 2 counts | b. | 1 count | d. | 4 counts | |
|
|
|
|
|
|
15. |
In cut time, two 1/8 notes will
be counted like _________ in 4/4 time.
a. | two quarter
notes | c. | one half note | b. | two eighth
notes | d. | two sixteenth notes | |
|
|
|
|
|
|
16. |
This time signature is known
as:
a. | cent time | c. | cut time | b. | common
time | d. | copy time | |
|
|
|
|
|
|
17. |
This rhythm is counted
as:
a. | 1-2 3-4 / 1 2 3-4 | c. | 1 - 2 3 &
4 | b. | 1 2 / 1&
2 | d. | 1 -2 3-4 5 6 7-8 | |
|
|
|
|
|
|
18. |
This rhythm is counted
as:
a. | 1 2-3-4-5 6-7-8-9 | c. | 1 2 triplet 3
triplet | b. | 1 2& 3& 4&
5& | d. | 1 2 e & a 3 e & a | |
|
|
|
|
|
|
19. |
This rhythm is counted
as:
a. | 1 e & a 2 & 3 & | c. | 1 & 2 & 3 & 4 &
| b. | 1-2-3-4 5-6 7-8 | d. | 1 triplet 2& 3
& | |
|
|
|
|
|
|
20. |
This rhythm is counted
as:
a. | 1 2& 3 triplet | c. | 1 & a 2 e & a
3 | b. | 1 e & 2 & a | d. | 1 2-3 4-5-6-7
8 | |
|
|
|
|