Multiple
Choice
Identify the letter of the choice that best completes the statement or answers the
question.
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1. |
Your head should
be
a. | level | c. | looking down | b. | looking up
| d. | none of the above | |
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2. |
Your shoulders should
be
a. | up and tense | c. | forced down | b. | relaxed | d. | all of the above | |
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3. |
folksong
a. | pause or hold | c. | music handed down for generations | b. | the end | d. | grave, solemn | |
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4. |
flat
a. | raise the pitch 1/2 step | c. | grave, solemn | b. | lower the pitch 1/2 step | d. | the end | |
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5. |
hymn
a. | pitches sounded simultaneously | c. | strict tempo | b. | lowers the pitch by 1/2 step` | d. | various stanzas sung to a
melody | |
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6. |
forte (f)
a. | the melody | c. | flats and sharps | b. | loud /
strong | d. | sliding scale | |
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7. |
key
a. | pause or hold | c. | pitches sounded simultaneously | b. | pitch relationship that establishes a tonal center | d. | distance between two
notes | |
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8. |
harmony
a. | 4 beats in a measure | c. | slow | b. | pitches sounded
simultaneously | d. | 4/4 time signature | |
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9. |
key signature
a. | fast tempo | c. | cancels a natural sign | b. | slow down at the end of the
song | d. | sharps or flats at the beginning of each staff | |
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10. |
fine
a. | repeat to the beginning | c. | fast tempo | b. | the end | d. | a hold | |
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11. |
accidentals
a. | symbols used to raise or lower the pitch by 1/2 step | c. | music that lacks a tonal
center | b. | becoming faster | d. | fast tempo | |
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12. |
a tempo
a. | loveable | c. | absence of key | b. | faster | d. | return to the original
tempo | |
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13. |
andante
a. | moderate walking pace | c. | loud | b. | becoming
faster | d. | decreasing loudness | |
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14. |
augmented
a. | solo voice | c. | raising of a pitch by 1/2 step | b. | motion by half steps | d. | degrees of loudness | |
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15. |
adagio
a. | found in an opera | c. | slow, leisurely | b. | motion by half steps | d. | sharps or flats | |
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16. |
alla breve
a. | a tempo marking-quick double time | c. | to the end | b. | once more | d. | a narrative song | |
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17. |
atonal
a. | walking tempo | c. | a lullaby | b. | music that lacks a tonal
center | d. | pitches sounded together | |
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18. |
ancora meno
mosso
a. | a strict tempo | c. | once more but a little faster | b. | fast tempo with spirit | d. | once more but a little slower | |
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19. |
allegro con
spirito
a. | fast tempo with spirit | c. | to the end | b. | slow tempo with spirit | d. | with spirit | |
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20. |
arpeggio
a. | second or lower part | c. | sixteenth notes | b. | notes of a chord played in succession | d. | used after a
repetition | |
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21. |
largo
a. | marked, stressed | c. | a long pause | b. | very slow and broad | d. | any means of writing down music | |
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22. |
motif
a. | lively, briskly | c. | strongly accented | b. | slowing down gradually | d. | a short musical idea | |
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23. |
sharp
a. | musical composition whose text is taken from the Book of
Psalms | c. | the sign that indicates the raising of a given pitch by one
half-step | b. | cancels a previous sharp or flat | d. | briskly | |
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24. |
leggiero
a. | the seventh degree | c. | fast | b. | stressed | d. | light (soft) | |
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25. |
phrase
a. | a single musical idea | c. | strongly accented | b. | the same as ritardando | d. | lines written above or below the staff
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26. |
ritardando (rit.)
a. | perform in a similar manner | c. | soft | b. | slowing down gradually | d. | little by little | |
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27. |
staccato (stacc.)
a. | strongly accented | c. | a short musical idea | b. | lively, briskly | d. | detached, crisply played | |
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28. |
natural
a. | strings are plucked | c. | raising of a given pitch | b. | very expressively | d. | cancels a previous sharp or flat | |
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29. |
notation
a. | any means of writing down music | c. | detached | b. | melodic theme | d. | fast as possible | |
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30. |
sotto voce
a. | second or lower part | c. | soft voice | b. | musical idea
| d. | fully sustained | |
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31. |
leading tone
a. | light (soft) | c. | slowing down gradually | b. | strings are plucked with fingers rather than bowed | d. | the seventh degree of the
scale
(
solfege ti ) | |
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32. |
major scale
a. | a diatonic scale
(do, re, mi, fa, sol, la, ti, do) | c. | any means of writing down
music | b. | the seventh degree of the scale | d. | the voice glides through all the
pitches | |
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33. |
secondo
a. | very slow and broad | c. | slowing down gradually | b. | melodic theme | d. | second or lower part | |
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34. |
ossia
a. | lines written above or below the staff | c. | first or upper
part | b. | no separation between notes | d. | an easier to perform alternative musical
passage | |
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35. |
psalm
a. | a musical composition whose text is taken from the Book of
Psalms | c. | making the music flexible by accelerating | b. | light (soft) | d. | the sign | |
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36. |
ledger lines
a. | cancels a previous sharp or flat | c. | melodic theme | b. | lines written above or below the staff | d. | first or upper
part | |
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37. |
piano (p)
a. | musical idea | c. | soft | b. | light | d. | very slow | |
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38. |
sforzando (sf or sfz)
a. | fully sustained | c. | sharp | b. | melodic
theme | d. | strongly accented, forced | |
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39. |
vivace
a. | lively, briskly | c. | very soft | b. | first or upper
part | d. | strings are plucked | |
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40. |
ritenuto
a. | a single musical idea | c. | melodic theme | b. | the same as ritardando but used to describe a marked reduction of
tempo | d. | above or below the staff
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41. |
lunga
a. | musical idea | c. | upper part | b. | always | d. | a long pause | |
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42. |
simile (sim.)
a. | a single musical idea | c. | continue to perform in a similar manner | b. | very slow and broad | d. | a long pause | |
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43. |
portamento
a. | little by little | c. | detached, crisply played | b. | lively, briskly | d. | the voice glides through all the pitches | |
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44. |
pianissimo (pp)
a. | stressed | c. | a long pause | b. | very soft | d. | melodic theme | |
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45. |
How many beats does a whole
note receive?
a. | one | c. | three | b. | four | d. | two | |
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46. |
A whole rest
a. | receives four counts | c. | takes up the entire measure | b. | does not exist | d. | receives two counts | |
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47. |
A quarter rest
receives
a. | one count | c. | three counts | b. | two counts | d. | twenty-five counts | |
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48. |
The top number of a time
signature tells you?
a. | how many quarter notes are in the
song | c. | what note gets a beat | b. | which pitch gets one
count | d. | how many beats per measure | |
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49. |
The grand
staff:
a. | is used for piano music | c. | is never used | b. | consists of three staffs | d. | has a bass clef and an alto clef | |
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50. |
A measure is:
a. | One of the four spaces in a staff
| c. | three inches long | b. | the space between two bar
lines | d. | used to show how long notes are | |
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51. |
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52. |
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53. |
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54. |
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55. |
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56. |
2/4 time signature
means
a. | there 2/4 beats in a measure | c. | there are 4 beats in a
measure | b. | there are 2 beats in a measure | d. | it is half of 4/4
time | |
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57. |
What one note fills an entire
measure in 2/4 time?
a. | whole | c. | dotted half | b. | quarter | d. | half | |
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58. |
A dot after a note does
what?
a. | shortens the note | c. | increses its duration | b. | doesnt exist | d. | makes it go faster | |
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59. |
A tie is a curved line
that
a. | joins two notes of the same pitch | c. | is something you wear
| b. | joins two notes of different pitches | d. | joins many notes
together | |
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60. |
A quarter note and a dotted
half note tied together sounds like which note?
a. | double dotted half
note | c. | dotted half played twice | b. | half note | d. | whole note | |
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