Multiple
Choice
Identify the letter of the choice that best completes the statement or answers the
question.
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1. |
folksong
a. | pause or hold | c. | music handed down for generations | b. | the end | d. | grave, solemn | |
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2. |
flat
a. | raise the pitch 1/2 step | c. | grave, solemn | b. | lower the pitch 1/2 step | d. | the end | |
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3. |
hymn
a. | pitches sounded simultaneously | c. | strict tempo | b. | lowers the pitch by 1/2 step` | d. | various stanzas sung to a
melody | |
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4. |
key
a. | pause or hold | c. | pitches sounded simultaneously | b. | pitch relationship that establishes a tonal center | d. | distance between two
notes | |
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5. |
grave
a. | solemn | c. | raise the pitch | b. | a hold | d. | faster | |
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6. |
harmony
a. | 4 beats in a measure | c. | slow | b. | pitches sounded
simultaneously | d. | 4/4 time signature | |
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7. |
key signature
a. | fast tempo | c. | cancels a natural sign | b. | slow down at the end of the
song | d. | sharps or flats at the beginning of each staff | |
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8. |
interval
a. | distance between two notes | c. | fast tempo | b. | high note | d. | a hold | |
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9. |
dynamics
a. | repeat from the sign | c. | the degrees of loudness | b. | singing | d. | a lullaby | |
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10. |
diminished
a. | a hymn | c. | loudness in a musical work | b. | lowered | d. | 3 or more pitches | |
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11. |
decrescendo
a. | sounded simultaneously | c. | cantabile | b. | degrees | d. | decreasing
loudness | |
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12. |
chorale
a. | a hymn of the Protestant Church | c. | lowered | b. | dolce | d. | motion by half steps | |
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13. |
berceuse
a. | decreasing loudness | c. | simultaneously | b. | a lullaby | d. | repeat | |
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14. |
ballad
a. | degrees of loudness | c. | a strophic, narrative song | b. | the melody | d. | Protestant Church | |
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15. |
cantabile
a. | a lullaby | c. | narrative song | b. | singable;
singing | d. | lowered | |
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16. |
D.S. or dal
segno
a. | motion | c. | strophic | b. | repeat from the beginning
| d. | repeat from the sign | |
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17. |
dolce
a. | dal segno | c. | Da Capo | b. | ballad | d. | sweetly | |
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18. |
amabile
a. | absence of key | c. | becoming faster | b. | slow, leisurely | d. | sweet, loveable | |
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19. |
aria
a. | symbol used to raise the pitch | c. | composition for solo
voice | b. | return to the original tempo | d. | lower the pitch | |
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20. |
accelerando
a. | slow, leisurely | c. | loud | b. | becoming
faster | d. | sweetly | |
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21. |
andante
a. | moderate walking pace | c. | loud | b. | becoming
faster | d. | decreasing loudness | |
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22. |
atonal
a. | walking tempo | c. | a lullaby | b. | music that lacks a tonal
center | d. | pitches sounded together | |
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23. |
ancora meno
mosso
a. | a strict tempo | c. | once more but a little faster | b. | fast tempo with spirit | d. | once more but a little slower | |
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24. |
arpeggio
a. | second or lower part | c. | sixteenth notes | b. | notes of a chord played in succession | d. | used after a
repetition | |
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25. |
motif
a. | lively, briskly | c. | strongly accented | b. | slowing down gradually | d. | a short musical idea | |
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26. |
primo
a. | very expressively | c. | lively, briskly | b. | in a similar manner | d. | first or upper part | |
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27. |
leggiero
a. | the seventh degree | c. | fast | b. | stressed | d. | light (soft) | |
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28. |
rubato
a. | a diatonic scale | c. | describes a song | b. | making the music flexible by accelerating and slowing down the
tempo | d. | a musical composition whose text is taken from the Book of
Psalms | |
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29. |
ritardando (rit.)
a. | perform in a similar manner | c. | soft | b. | slowing down gradually | d. | little by little | |
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30. |
sotto voce
a. | second or lower part | c. | soft voice | b. | musical idea
| d. | fully sustained | |
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31. |
secondo
a. | very slow and broad | c. | slowing down gradually | b. | melodic theme | d. | second or lower part | |
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32. |
ossia
a. | lines written above or below the staff | c. | first or upper
part | b. | no separation between notes | d. | an easier to perform alternative musical
passage | |
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33. |
psalm
a. | a musical composition whose text is taken from the Book of
Psalms | c. | making the music flexible by accelerating | b. | light (soft) | d. | the sign | |
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34. |
rallentando (rall.)
a. | cancels a previous sharp or flat | c. | alternative musical
passage | b. | slowing down; the same as
ritardando | d. | the seventh degree of the scale | |
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35. |
sempre
a. | always | c. | a long pause | b. | little by
little | d. | very slow and broad | |
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36. |
sforzando (sf or sfz)
a. | fully sustained | c. | sharp | b. | melodic
theme | d. | strongly accented, forced | |
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37. |
strophic
a. | a musical composition whose text is taken from the Book of
Psalms | c. | describes a song where the stanzas are all sung to the same
music | b. | quickly | d. | fully sustained | |
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38. |
vivace
a. | lively, briskly | c. | very soft | b. | first or upper
part | d. | strings are plucked | |
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39. |
lunga
a. | musical idea | c. | upper part | b. | always | d. | a long pause | |
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40. |
simile (sim.)
a. | a single musical idea | c. | continue to perform in a similar manner | b. | very slow and broad | d. | a long pause | |
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41. |
portamento
a. | little by little | c. | detached, crisply played | b. | lively, briskly | d. | the voice glides through all the pitches | |
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42. |
legato
a. | smoothly, with no separation between notes | c. | an easier to perform alternative musical
passage | b. | slowing down | d. | the voice glides through all the
pitches | |
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43. |
pianissimo (pp)
a. | stressed | c. | a long pause | b. | very soft | d. | melodic theme | |
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44. |
The names of the bass clef
lines are:
a. | F A C E
| c. | G B D F A | b. | E G B D F | d. | A C E G | |
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45. |
The names of the bass clef
spaces are
a. | F A C E | c. | G B D F A | b. | A C E G | d. | E G B D F | |
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46. |
How many beats does a whole
note receive?
a. | one | c. | three | b. | four | d. | two | |
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47. |
How many beats does a quarter
note receive?
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48. |
What does a rest
indicate?
a. | sound | c. | silence | b. | there is no such thing as a
rest | d. | play right hand only | |
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49. |
A quarter rest
receives
a. | one count | c. | three counts | b. | two counts | d. | twenty-five counts | |
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50. |
The top number of a time
signature tells you?
a. | how many quarter notes are in the
song | c. | what note gets a beat | b. | which pitch gets one
count | d. | how many beats per measure | |
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51. |
A leger line:
a. | never has a note in it | c. | does not exist | b. | Divides the staff into measures for the notes | d. | is used for notes above and below the
staff | |
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52. |
If a note is between two lines,
it is:
a. | a line note | c. | a space note | b. | wrong | d. | not a note | |
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53. |
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54. |
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55. |
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56. |
The bottom number of the time
signature tells you?
a. | how many beats in a
measure | c. | what kind of note gets 2 beats | b. | what day of the week it is | d. | what kind of note gets the beat | |
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57. |
3/4 time signature
means
a. | there are 3 beats in a measure | c. | there are 3/4 beats in a
measure | b. | there are 2 beats in a measure | d. | 3/4 time does not
exist | |
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58. |
A tie is a curved line
that
a. | joins two notes of the same pitch | c. | is something you wear
| b. | joins two notes of different pitches | d. | joins many notes
together | |
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59. |
A quarter note and a dotted
half note tied together sounds like which note?
a. | double dotted half
note | c. | dotted half played twice | b. | half note | d. | whole note | |
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60. |
When you slur notes
a. | you play them short and choppy | c. | you dont do anything
special | b. | you smoothly connect them | d. | you hold them for a long
time | |
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